

THE CLIENT
The Maak for Investec Cape Town Art Fair
Included in the 2026 programme of the Investec Cape Town Art Fair, Art Fair Picnic transformed a section of the fair into a soft, participatory site of gathering and exchange. Large-scale picnic blankets formed an informal space where visitors were invited to sit, share food, and engage with art in a slow, intimate and communal way.
THE BRIEF
As picnic-goers enjoyed snacks prepared by local food designers Studio H, picnic host Max Melvill and co-curator Carl Khaas presented a programme of contemporary artworks from leading African galleries directly in the picnic environment.
Art Fair Picnic forms part of Picnic Projects, an ongoing long-term research collaboration between The MAAK x Picnic (Faith Shields) exploring alternative ways of activating public space to build community. Within the context of the commercial art world, the intervention foregrounds the spatial relationship between art, people, and the environments that bring them together. The project exists as a live spatial experiment that challenges the conventions of the “white cube” gallery model by providing an environment that is inclusive, soft, playful and caring. Art Fair Picnic poses an alternative framework to experience contemporary art that aims to break down the perceived barriers between art viewers, galleries, artists and artworks.
The contemporary art showcased in South Africa’s leading galleries (and art fairs) is known to be vibrant, layered, and deeply connected to everyday life. Yet the space in which this work is encountered does not always reflect this same vitality. While the art feels alive, the spatial environment can at times feel detached or overly transactional. Art Fair Picnic responds to this tension through an in-situ intervention that asks: What spatial models might better reflect the nuanced realities and richness of contemporary artists and their work?
Uncommon within commercial art environments, the posture of picnicking introduces rest, openness, and informality into a context typically defined by movement, productivity, and sales. The simple acts of sitting on the ground, sharing food, and slowing down reposition the art encounter as one rooted in presence and collective experience. In this way, the picnic becomes a deliberate intervention that reclaims humanity and community within a highly commercial setting.
Although temporary by nature, Art Fair Picnic operates as a lasting provocation - exploring how inclusive and contextually grounded environments can enrich our connection to the arts. Through deliberate spatial shifts, the project suggests that the architecture of cultural spaces can serve as a catalyst for gathering, conversation, and cultural belonging - not simply as a background for art.
In our picnic box:
Farm apples from Vergesig Farm
Gingerbread people by Goldie Bread
Marmite pecans
Funfettic cake sandwich
Negroni olives
Crisps: add cheese and cornichons
PICNIC TEAM
Max Melvill (host), Carol Khaas (co-curator), Studio H (food design), Studio Bunk (benches), From Mom (pillows), Katya Volkova (production), Polina Ostanina (production assistant), Cara Geldenhuys (production assistant)
PARTICIPATING GALLERIES & (ARTISTS)
Art Formes (Siyabonga Fani), EBONY/ CURATED (Kamohelo Blessing Rooi), Everard Read (Mmakgabo Mmapula Mmankgato Helen Sebidi and Vusumzi Nkomo), Exhibition Match (Franasonic Exhibition Match jersey), Kó (Deborah Segun), RESERVOIR (Richard Mudariki), Stevenson (Thato Toeba)
PHOTOS
Sune Van Tonder (@aftersune)
Orchard on 25 for Don Julio South Africa
In celebration of World Tequila Month, we were tasked with crafting special media drops for Don Julio.
Delivery of time-sensitive Man in the Hat ice sculptures with a hidden message inside and beautifully crafted tequila box & goodies.
Studio H


Sonic seasoning is one of our favourite tools when designing experiences. The term “sonic seasoning” refers to the deliberate matching, or pairing, of sound/music with taste/flavour in order to enhance, or modify, the multisensory tasting experience.
Photos: Alix-Rose Cowie, Jade Ruijzenaars


Crowd-sourced food design: Hannerie was a speaker at the 2022 Design Summit at 100 Percent Design Africa. As part of her presentation the audience took part in a crowd-sourced food design experiment. The Happy Cake Project in collaboration with Sweet LionHeart, aimed to design the world’s happiest cake. At the Summit we presented a Beta version of the cake for everyone to taste: Kefir and cacao nib chocolate cake with honey and mucuna Swiss meringue buttercream. We asked the audience to design version 2.0 of the cake with us by voting for various options through a cloud-based platform. The audience voted that the next cake would be:
Cake flavours: Dark chocolate (1st choice) and Sourdough honey (2nd option)
Filing and icing: Bee pollen buttercream (1st choice) & Lavender buttercream (2nd option)
Colour: Yellow
Eaten with: Your hands
Listen while eating: Happy by Pharrell Willliams


Decorex / FOOD XX / Studio H
Design a stand for Studio H at Decorex
In a bid to celebrate women in food, we created an interactive jar swop initiative with donations that went to Ladles of Love, a feeding scheme in Cape Town. The food jar exchange contained donated preserved foods, personal stories and recipes. We wanted to show that a small gesture can make a big difference because donating one jar of food can help alleviate hunger in our immediate community.
The FOOD XX Jar Exxchange also paid homage to traditions of food preservation. For centuries, women have preserved food and their cultural heritage through the age-old tradition of canning, jamming and pickling.
The stand became an exchange hub where anyone – not just women – from all over the peninsula could come to swop a jar of their preserves with a card attached sharing the story and recipe of the food in the jar. Each donor received an empty jar, to keep paying the action forward.
We were overwhelmed by donations from brands such as Bergsoom Pure Foods, who donate 1 000 jars to the project.
Photos: Paris Brummer
Styling: Juwan Beyers


Only One Ingredient (OOI) – a conceptual food offering, focused on one ingredient or theme, that is designed by our team and executed by our chefs. For CherryTime we created a cherry-inspired feast, hosted at to celebrate the harvest.
On the menu:
On arrival:
Main course:
Dessert:
Sonic installation: Studio H
Vases: Brigit Lilley
Chef: Bianca Strydom
Waiters: Hero Staffing
Photos: Daniela Zondagh


Design and curate a Dine & Design event
The inaugural Dine & Design dinner, hosted at Tiny Empire, was the opening of Design Week 2023 and a celebration of 30 years of House & Leisure and Decorex. We wanted all guests to be able to celebrate in one space, but also create a relaxed environment that felt like an intimate dinner party. So guests enjoyed starters and desserts together, and mains was served at various intimate dinner spaces, hosted and created by House & Leisure's team of editors.
Our starter course was an ode to millets. Handmade millet crisps were served in Niknaks packets, symbolising that (due to various complex reasons) maize replaced millet as a staple crop across the continent. The millet crisps were flavoured with maize chip dust made from chips that the guests brought to the dinner.
Main course was served by chef PJ Vadas and the Vadas team from Spier Wine Farm.
The dessert, prepared by the Studio H team, was a banana party - an assortment of banoffee pie, fresh bananas, banana candies, banana perfume and a banana soundtrack.
Host venue: Tiny Empire
Event hosts: House & Leisure, Decorex
Dinner party hosts: Charl Edwards, Bielle Bellingham, Sumien Brink, Karen Dudley, Tracy-Lee Lynch, Stevie Whiteman
Main course: PJ Vadas
Wine: Spier Wine Farm
Floral design: Mr Munro
Concept, starters, dessert: Studio H


Studio H explored corn as a cultural connector during Milan Design Week 2025 with a mindful food installation. Commissioned by Novitá Communications for North America Night at Teatro Litta, the experience responded to the theme Not Lost in Translation – a reflection on design as a universal language – through a multilingual menu and storytelling rooted in culinary heritage across Mexico, Canada and the USA.
From a 3-metre cornbread cake sandwich to Faith Sotondoshe’s isinkwa sombila (steamed cornbread) and a tower of nachos topped with Jamón Ibérico and Claire Dinhut’s candied jalapeños, our menu celebrated corn in all its cultural forms. A piñata designed by Sanri Pienaar, paper fortune teller cutlery and handcrafted cornbread trays turned the evening into a multisensory moment – part meal, part message, part memory.
The evening was inspired by Italian composer and singer Adriano Celentano 70’s anglo-phonetics hit ‘Prisencolinensinainciusol’, a 1972 song with nonsensical, gibberish lyrics intended to sound like American English. Celentano used the song as a way to explore communication and language barriers, demonstrating how music can convey emotion even without real words
Produced by @novitapr
Art Direction by @rads.group
Culinary Design by @studio_h_
Studio H would like to thank:
Sanri Pienaar for the culinary art direction and styling
Mia Everson for making our cornbread tray vision come to life
Faith Sotondoshe for the isinkwa sombila
Strone Henry for the corn bread, syrups and salts
Claire Dinhut for the best candied jalapeño recipe
African Marmalade for the blue maize seeds
Inge Prins for the photos


The Food and Agriculture Organisation (FAO) of the United Nations declared 2023 the International Year of Millets (IYM 2023). Millet, an ancient grain, is indigenous to South Africa, and has the potential to play a major role in addressing climate change and food security. The Millets Report includes articles by many experts; from nutritional benefits by Mpho Tshukudu, recipes by Khanya Mzongwana and Tapiwa Guzha, to a humorous column by Dr Anna Trapido, a manifesto for the Sorghum Agenda by Zandile Finxa and a personal essay by Mokgadi Itsweng.
Contributors: Khanya Mzongwana, Tapiwa Guzha, Mpho Tshukudu, Mokgadi Itsweng, Zandile Finxa, Dr Anna Trapido, Lynette Botha
Copy editing: Lynette Botha, JC Landman
Table scapes in millet flour: Hendrik Coetzee
Recipe styling: Khanya Mzongwana
Millet photos styling: Juwan Beyers
Photos: Daniela Zondagh


In December 2023, we at Studio H were thrilled to unveil our 2024/5 Future Food Report during a series of presentations at our Tiny Empire office. As aspiring leaders in culinary innovation, these sessions provided a detailed exploration of upcoming gastronomic trends. Our approach involved comprehensive research, data analysis, and expert insights, all of which were shared with enthusiasm and great OPTIMISM - one of the very prominent themes. The presentations were not only informative but interactive, featuring a flavour museum, a pop-up shop, in-session tastings and a hot sauce workshop. This event underscored our commitment to staying ahead of culinary trends and showcased the dedication we bring to the intricate world of food design.
The team
Concept, experience design, menu design, culinary curation: Studio H
Food collaborators: Ever Peckish, The Fermentary by Sepial, Sweet Lionheart, Two in a Bush, Vinehugger, Lebanese Bakery
Graphic design: Spook Design Co.
Venue: Tiny Empire


Dutoit
Celebrate Apple Pie Day (13 May) with an apple tasting and lunch, whilst unveiling a new showstopper variety: the red-fleshed Kissabel apple.
A day of sensorial installations, crisp bites and bold flavours – guests tasted their way through 11 unique apple varieties, from zingy Granny Smiths to softly blushed Pink Ladies. And an apple pie-inspired feast by Chef Mmabatho Molefe. On the menu? A 2m-long apple pie mille-feuille, puff pastry apple roses, candied apple slices, apple and fennel salad misted with apple pie spray and pork and apple sausage rolls with apple ketchup.
Concept, menu and experience design: Studio H
Chef: Mmabatho Molefe
Styling: Klara van Wyngaarden
Venue: Lemkus Exchange
Photos: Daniela Zondagh

For Youth Day, Studio H teamed up with Strone Henry to support Weskusmandjie’s Youth Day initiative, with the support of Woolworths. Under the leadership of Hilda Adams, Weskusmandjie, a dedicated group of local fisherwomen from Steenbergs Cove, hosted a meaningful and creative event for 40 children (ages 6–12) under the theme Ocean Protection on Youth Day. These burgers, made with Woolworths sustainably caught tuna, were served at the Weskusmandjie Youth Day event. Woolworths tuna is caught by hook and line one at a time, while supporting communities, protecting our oceans and future stocks of tuna.
Serves 4
For the fish cakes
Dredging station
To make the burgers
1. Prepare the mixture:
2. Shape the fish cakes:
3. Dredge the fish cakes:
4. Fry the fish cakes:
Assemble the burgers, using your buns and toppings of choice.


Nando's
Create a series of content for Nando's social channels (stills and video) amplifying the launch of two new Nando's Bag 'n Bake flavours.
In tandem with the launch of the Nando's #PERiTricks activation, Studio H produced content (stills and video) to support the launch of the two new Bag 'n Bake flavours. Content was published across Nando's social channels (Youtube shorts, Tiktok, Instagram, brand website) with a range of digital and IRL recipe cards. Aimed at a younger demographic, we added some non-traditional ways of cooking, should you not have access to a full kitchen as a student. Aligned with the brand's deep South African roots, all recipes celebrate local flavours, with recipe names giving a nod to iconic pop culture moments.
Some of the recipes featured are "Private Skool Skopas" (a play on Rice Krispies treats) made in a tumble dryer, "A Boerie is a plan" made with a steam iron, "iMover and Shaker", a shake-shake slaw recipe made by shaking ingredients in the Bag 'n Bake bag.
Concept and production: Studio H
Recipe development: Studio H, Keletso Motau, Strone Henry
Recipe styling: Keletso Motau
Videos: Yellow Brick Media
Stills photography: Daniela Zondagh


Nando’s
Conceptualise a strategy that would celebrate the launch of two new Nando's Bag ‘n Bake flavours.
The new flavours have inspired a selection of #PERiTricks recipes that puts a fresh spin on some of South Africa’s favourite foods and ingredients. And as part of the launch, customers got to discover these recipe tricks at a popup in Braamfontein. Think super fun recipes made in a tumble dryer, air fryer or even with an iron.
As the lead creative agency on the product launch, Studio H was responsible for creating and managing the concept, developing the recipes and directing and producing the recipe video content for the project. The studio collaborated with some of the finest local talent to make this project come to life.
This project was shortlisted for the Loeries Awards 2023. See here.
Concept and production: Studio H
Architect: Stretch Architects
Pattern design: Bonolo Chepape, Lulasclan
Video: Yellow Brick Media
Setbuilding: JMC
Culinary support team: Prue Leith Chefs
Location: 99 Juta
Graphic design: Spook Design Co., Sisanda Nxumalo
Interior photography: Marijke Willems


Studio H is aiming to collate the world's biggest database featuring women-owned and women-led food and drinks businesses from South Africa and Africa, nominated by our community and curated by us.
Nominate your favourite women in food.


Adidas
We were briefed, alongside six other artists, to re-imagine sustainable footwear for the future for the new adidas concept store in the Waterfront.
As a future food design studio, our approach is deeply rooted in exploring a sustainable future. With our micro mushroom farm, we celebrate mushrooms for their ability to perform the alchemy of transforming agricultural and other organic waste into a nutritious food source. Growing mushrooms is a unique blend of recycling, science and efficacy. This powerful combination makes them one of the most sustainably produced foods in the world.
The interior of the Stan Smith shoe has been converted into a micro mushroom farm and 3-D texture was added to the exterior of the shoe by sculpting fondant and piped royal icing flavoured with dried mushroom powder. The laces are coloured with natural mushroom dye.
Concept, micro mushroom farm and laces: Studio H
Exterior design: Sweet LionHeart (Nikki Symons)


Caesarstone
Design and produce the awards ceremony for the annual Caesarstone Student Designer Competition. This year, students were invited to design a Museum of South African Languages located at the Maropeng in the Cradle of Humankind, becoming a vibrant celebration of linguistic diversity and showcasing the richness, history, and evolution of the numerous languages spoken in South Africa.
The theme came alive through an immersive experience that honoured South Africa’s rich linguistic diversity, expressed creatively through food. Each station celebrated one of South Africa’s 12 official languages, offering a dish that reflected its cultural heritage – from bobotie jaffels to amagwinya and fire-roasted corn to crispy fish fingers. Paying tribute to the Cradle of Humankind – the birthplace of fire – many of the dishes were prepared using traditional fire-cooking methods. The experience concluded on a playful, nostalgic note with a giant jelly and custard installation. Each station featured an interactive sound button in its corresponding language.
Concept, experience design, menu design, culinary curation: Studio H
Food collaborator: Bianca Strydom
Photo moment: Klara van Wyngaarden
Performance: SPIRIT IN MOTION
Graphic design: Spook Design Co.
Thank you to Sello, Norman and the team at Maropeng

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Studio-H co-hosted Li Edelkoort’s Trend Talk with House and Leisure magazine at Babylonstoren. After a few years’ absence, it was so good to welcome Li Edelkoort and her long-time business partner Philip Fimmano back to South Africa. Studio H produced the event and food installations with Juwan Beyers Food Design. Tickets sold out within hours, confirming the appetite for thoughtful, future-facing dialogue.
Thank you:
Goeters Event Design
AKJP


By Holly Beaton
Studio H always has something intriguing in the works, and for their birthday celebration, they unveiled an extraordinary pop-up experience; characterised by their distinct attention to detail and generosity. On arrival, we were ushered into a room housing a dream realised for those of us who favour savoury delights as our first choice: a massive birthday cake adorned with hundreds of candles. Could I have ever imagined experiencing such a colossal cake, drawn from flavours inspired by South Africa's diverse culinary repertoire, and for it to be savoury nogal? The cake featured a half-half combination of 'braai snoek pâté terrine with apricot jam' and 'fior di latte layered braaibroodjie' with cream cheese icing – the perfect introduction for our palates of what was ahead.
Once guests had tucked into a piece of savoury cake, we were guided upstairs – to a dining space, where we were welcomed by a table-scape showcasing the colour-blocking, diversity of objects and proportions signature to Studio H’s bold design-vision. Guided by the number 12 dotted all over – from a stackable, 12-piece bread thread on a needle, to a centre piece in their signature primary colours of blue, red and yellow – with oversized tomatoes and edible menus hanging overhead – the centre-piece continued to delight us all as we uncovered each new, surprising detail.
This is Studio H’s liminal world of merging the fantastical with the realistic, the deliberate with the playful, and in collaboration with Chef Jen, the menu was an exploration rooted in the number 12, with time serving as the guiding principle. Each dish during their mindful dinner was temporally-rooted across technique, ingredient, and presentation – underpinned by the intangible force of nostalgia and ultimately; the joy and wonder that serves as the basis for all their endeavours.
The culinary journey began with a reimagined ‘Salad Valley’, a throwback to the Waldorf salad – perennially refreshing and nostalgic. Featuring stacked baby gem lettuce leaves, 12-minute smoked grapes, 12-hour pickled apples, a 12-spice pecan nut crunch, alongside celeriac, celery, green beans, and a creamy dressing whipped up in just 12 seconds; served in diner-style baskets. Incredible.
Then, custom ‘KFC’ buckets arrived at the table – filled with NikNaks beer brined buttermilk fried chicken and chips, served with melrose sauce in wax sealed mini-pots; a throwback that centred one of the best snacks tucked into the memory-bank of every South African.
Next, we were treated to a whiskey-glazed, pressed beef rib slow-cooked for a diligent 100 hours, accompanied by charred creamy corn and a tangy fermented carrot pickle. For this course, we were invited to use Githan Coopoo’s custom cutlery – silverware that had been moulded by the heft of clay, adding a weight to the eating experience which invited us to eat slowly, while the dish itself was served on Studio H’s Mindful Eating Plate by The Detailsmith, featuring cheeky anecdotes revealed with each mouthful; inviting each of our conscience to the fore.
For dessert, ‘Honey Honey’ was an homage to one of the most iconic ageing processes; cheese, an ingredient that gets better with the guiding hand of time. This course was a delightful gingerbread sourdough cookie sandwich filled with fynbos honey brûlée, with shaved 12-month-aged Klein River cheese and a honeycomb crunch.
With bellies full and conversations still rumbling, we were invited to return downstairs; to a communal 5-metre-long Moerkoffie swirl fudge, served with giant Koffie Cookies, coffee – and the option to take home tin-foil swans as mementos. Lasty, a delightful ‘Thyme For Bed’ palate cleanser – resting on wooden toothbrushes waited for us at the exit, with a dollop of thyme and lemon marshmallow tonic. A final, tart and herbaceous mouthful before heading home with our foil swans tucked under our arms.
Studio H gifted us, on their birthday – and I think this sums up the Studio’s essence. Each aspect of the experience was a demonstration of their instinctive understanding of food as a communal experience, in which the senses, memory and emotions work together to evoke new perspectives on how we can engage with the world around us. What will they dream up next? It's hard to conceive; but they’ll need more than another twelve years – to many, many more.
The menu and wine pairing
Course 1
Birthday cake: half-and-half (braai snoek pâte terrine with pickled apricot jam) + (fior di latte layered braaibroodjie) topped with cream cheese
Ambeloui MCC 2012
Course 2
Waldorf inspired stack salad, served inside an iceberg lettuce bowl, with 12 min smoked grapes, 12 hour pickled apple, 12 spice pecan nut crunch and 12 sec creamy dressing
Sijnn White 2012
A dozen micro Marmite crouton loaves, served with micro butter
Course 3
NikNaks bucket: NikNaks beer brined buttermilk fried chicken served with Melrose sauce
Course 4
Super slow beef: Aged 100-hour braised whisky/balsamic glazed beef rib with creamy corn and fermented carrot pickle
Crystallum Bona Fide 2012
Course 5
Honey, honey: Gingerbread sourdough cookie sandwich with fynbos honey brûlée, shaved 12 month Klein River cheese and honeycomb crunch
Course 6
Moerkoffie fudge: 5m long moerkoffie swirl fudge with oversized koffiekoekies
Thank you:
Mindful cutlery: Githan Coopoo
Mindful crockery: The Detailsmith
Birthday candles: Okra Candle
Chef: Jenny Ward
Kitchen Team: Fifi Kusotera, Kabelo Luhle Tala, Ntomboxolo Sidoda, Anake Ngagela
Studio H: JC Landman, Eviwe Qubelo
Event creative director: Nikki Symons
Photos: Daniela Zondagh
Music: Andy Aichison (A11)
Wine curation: Matthew Freemantle, Leo's
Birthday cake: Sweet LionHeart x Chef Jen
Fudge: Afrikoa
Butter: Cream of the Crop
Graphic design: Hoick
Concept: Hannerie Visser, JC Landman


Photos: Nikki Symons, Sweet LionHeart